ciples that have been examined should aid in improv-
loudspeaker's response. Treatment is
Volume 30 No. 3 Summer 2002
traps is apparent. Note the diminished
the following links to the World Wide Web:
series of Tech Topics both interesting and informative.
quency and the horizontal is time. The
background image
28
fall" plot that can also be used to view
Room modes manifest themselves as
an alternative to the traditional "water-
ing the listening experience in small spaces. For more
In conclusion, I hope that you have found this
www.auralex.com
The effect of adding the four corner
Live provides another interesting view
horizontal stripes in the display. This is
A Different Perspective...
Sound System Engineering by Don and Carolyn
and correlate measured vs. predicted data. The prin-
level of the modes. The traps have
Davis
I learned a lot by having to "crunch through" the math
of the modal response and the effect of
preferable to electronic equalization
www.acousticsfirst.com
The Spectograph display of Smaart-
www.rpginc.com
information on room modes and treatments, I provide
loudspeaker's direct field.
colors represent the sound level. The
tral, producing less coloration of the
wider area and has less impact on the
29
because the correction extends over a
the bass traps. The vertical axis is fre-
made the room response more neu-
Syn-Aud-Con Newsletter
frequency/time trends.
1
stimulus is steady pink noise.
<< < [Pag.7]  

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